A Nightmare in Rainton Review (2024)

The variety and number of cast greatly varied between the three mazes. We were particularly impressed with the denizens of Salvage Yard, who were extremely enthusiastic and interactive, getting right up close to you and in your face. They taunted us as we struggled our way through the various segments of the Salvage Yard (lost, as we were, in the mazes) with no end in sight. When we cheated by hopping some hay bales, they got very angry (in character)!

In the other haunts, we felt the actors were less believable and perhaps a little less present, especially in Blackout where we rarely encountered another actor. It might have been the intent of the maze, but it would have been more exhilarating to have more interactions.

As we were some of the first in the attraction, we did happen to notice an actor very visibly scrolling through their phone, which of course broke the immersion for us.

The costumes in Salvage Yard especially were appropriate and evocative of their locations. These included people dressed as scarecrows and bag-heads in the hay bale segment, and others dressed with the remnants of their mechanical masterpieces spread out through the maze. There were also evidently child actors here, and one in particular was in a creepy teddy bear mask that stuck out for us.

Unfortunately, the costuming and makeup in Blackout and Haunt was less complete and mainly involved the application of white face makeup and tattered clothing which, whilst appropriate, perhaps lacked the truly immersive quality of those featured in Salvage Yard.

Perhaps because this was a brand new haunt, there was very little information available about what to expect from this attraction, including what the attraction actually included and how long it would last. However the digital customer service was great, and we were able to find some answers to our questions via email and social media. The attraction was relatively easy to locate and very easy to park at, and all of the staff at the attraction were very helpful and lovely.

The only place where this attraction could grow in would be in the safety of the event, particularly in the Haunt maze. There were a lot of areas of complete blackness where we ran into walls, including areas where we were already crawling through. This forced quite a few other guests to have to turn the torches on their phones on, which tainted the experience a bit but was also necessary as it was often completely pitch black with a lot of confusion about where to go.

Entering the haunts, you meet a decked out tipi area in the centre, decorated with an array of skeletons, cobwebs, and ghoulish delights. It was a pretty space that made a nice respite before and after the haunts. The pre-haunt environment of the main attractions was not extensive, plunging you more into them than allowing for ambiance.

Blackout was immersive, in that you were deep in the heart of a winding maze with no obvious exit – with the resulting confusion this entailed. This disorientation did mean that we were lost, but we’re not sure this was entirely the intent. Haunt was also quite confusing, but was not themed in such a way that felt immersive – it was definitely set-like.

The most immersive of the mazes was Salvage Yard, which made you feel you were in a vast abandoned series of lots with cars, trucks, and other forsaken items strewn about. We didn’t much understand the storylines for any of them, but we got the gist as we progressed.

Blackout and Haunt had quite minimal set designs, mostly with tight flats and hanging material with lots of ups and downs – the design was very simple but it was definitely quite fun to have to crawl and re-route constantly as it was never quite clear where to go and the dead-ends seemed endless. The Salvage Yard maze was the clear winner of the three in terms of set design and effects – it was a lot of fun to climb through a double decker bus and then to traverse scaffolding on the roof only to come down inside of yet another double decker bus. While there weren’t any props and animatronics, there was a vacant bar that had fun lighting and mannequins and some fun mini-labyrinths we had to trundle through hay bales and pallets, just as numerous killers were stalking us amongst them!

The mazes lasted for a good amount of time – you really get a lot for your money in terms of haunt minutes per dollar/pound. Haunt and Blackout seemed particularly endless, especially as you have to constantly reroute yourself with endless deadends and the characters within always causing confusion in regards to which direction to go. You also get to enjoy a tipi area with lovely decorations, and a separate food court area which is also home to a little ghost train. We paid a few extra pounds for the ghost train, which while quick, included some nice effects and was quite fun. We definitely applaud this attraction’s first attempt at some haunts – we think if they focus on the uniqueness of their Salvage Yard haunt they’ll have huge success in the future!