Crooked Descent is home to 67 actors in 2024, and every single one of them is bringing the heat with a side of extra spice. There’s not a single actor within these walls that isn’t interacting with every fiber of their being, and that’s one of Crooked’s hallmarks. Every single scene across the two attractions has a minimum of two actors, and in many cases, more than that. To say that there are enough actors is an understatement.
Beginning in the opening scene of Afterworld Asylum, patrons are subject to the level of energy they can expect through the entire haunt. Lots of screaming, yelling, and chaos are present as hostages are directed at gunpoint by masked men, to have a seat and sign your name to a piece of paper, which probably has some really important legal jargon about how the doctor can do whatever they want with you.
In the following scenes, we’re shown the horrors of the experimentation on humans, and the several references from actors about how the doctor needs more babies. One of the most consistent things throughout this show is how loud the actors are in their dialogue. One might think that in a scenario where you are being subjected to untold horrors, screaming is going to be a common thing. This is also one of the few downsides to the interaction, that everybody is screaming, and there isn’t a lot of nuance, taking away from the believability in some cases.
We also see a similar case in Forbidden Family, like the mother who is trying to cook dinner and keep a clean house while her delinquent children scream, and have a tantrum. In the following scene, we enter a child’s bedroom where they have a “puppy” which is clearly just a guy the family found and stuffed into a dog suit. The captive pet screams for help while the kids beg you to stay and play with them. If you tell them no, they will unleash a fury upon you that will surely require earplugs.
In later scenes, we’re shown the horrible things that take place inside this home. Many of the characters are in a state of distress, which explains the screaming and yelling. We see a good dynamic range from an actor who pleads for help that her baby is going to be taken, and in the next room, she’s screaming bloody murder as a masked man uses a reciprocating saw to take said baby from her.
One thing that I noticed is the “victim” characters feel more relatable and believable through their screaming versus the “villain” characters who are psychotic but still screaming, though that’s probably the point. The forced bride-to-be is really selling the idea that she doesn’t want anything to do with whatever is going on, and her pleas for help are well delivered. I suspect that many of the actors in Forbidden Family are returning to roles that they’ve held for a number of seasons, and they have been able to settle into the character to give a more convincing performance.
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