In all three attractions, actors were everywhere! They were hidden behind doors, walls, and around corners. Dearly Departed fooled us time and time again with mannequins and actors holding perfectly still until we approached the danger zone. Then, they would spring out at us, often reaching out with hands or a sharp knife. We often thought we were approaching a prop but were only right about half the time. The manic, grieving actor in the bedroom scene had us scurrying out of the room so fast, that we didn’t get a chance to look around much at all! All we knew at that moment was that we needed to get past them somehow.
Fright Fest at Fearwood High also used hidey-holes but also came for us head-on, from the sides, or even from behind. Some were loud, and we noticed an uptick of weaponry: either using them to bang on things around us or holding them to us/waving them around us in very threatening manners. Here, we also noticed a similarity in the way the afflicted characters would twitch and jerk their bodies and a few had finger-tip clackers they would jut out at us.
Oddballs Feast of Freaks featured clowns and treated us to a center-stage show. At one point, as we made our way through, a clown shocked us when they climbed over the “safety” barrier to separate us and put us on edge. They also used big show-stopping puppets and animatronics. The sound system enhanced our feeling of urgency, which actors took full advantage of. Actors then used their mannerisms to finish the job. This is not the style of haunt where guests will participate in any discourse with characters, as they prefer a “stab-and-go” method, often followed by an unexpected second attack for the next victim in line.
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