Audio is a major component of Fear Overload. The decibels were cranking in the two haunts, equal to waiting area. Instead of metal music, each of the two haunts had a creepy soundtrack playing at high volume. The soundtracks certainly added to the intense environment. The scenes are well detailed. The walls are realistic, aged, and gritty and some are straight up gross. If there is a critique here, it’s that Fear Overload has used the same walls and same floor plan for a few years now. They will touch up what they need to adapt to whatever theme they…
Read More…Audio is a major component of Fear Overload. The decibels were cranking in the two haunts, equal to waiting area. Instead of metal music, each of the two haunts had a creepy soundtrack playing at high volume. The soundtracks certainly added to the intense environment. The scenes are well detailed. The walls are realistic, aged, and gritty and some are straight up gross. If there is a critique here, it’s that Fear Overload has used the same walls and same floor plan for a few years now. They will touch up what they need to adapt to whatever theme they are using, but there is that sense of d������������������j������������������-vu, that feeling you’ve been here before. Insanitarium has blood splattered walls, multiple mutilated bodies, even body bags dangling from the ceiling, but there is still that same restroom with all of the stalls, and there is still that security room with the picture tube viewing monitor. Grimm Fairy Tale Killer still has that living room at the start, followed by the room with open windows with fishing nets. This year, Grimm added the names of different fairy tale characters in each room written in blood. The first room had Hansel, other rooms had Ugly Duckling, Snow White, Rapunzel, Pinocchio, among others. One interesting approach to lighting was in Insanitarium; every group was issued a flashlight. The haunt was very dim, so you needed the flashlight to find your way through. Grimm only had standard lighting.
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