The actors and actresses within each of NoE’s haunts did a great job of keeping the action going and keeping dead spaces to a minimum. As mentioned above, this is a ‘touch haunt,’ so you’re never really safe from having your personal space bubble ripped to shreds.
We knew we were in trouble in MDF when an injured projectionist came stumbling out of theater 11 (our destination) and made a bee-line for the exit’ which was the OPPOSITE way we were going! In the first scene, we met a girl angrily chanting the Freddy Krueger jingle and, when we tried to jump in and sing with her, she screamed, ‘My song! Not yours!’ right before tackling one of our group members onto the bed. So yep, we let her take it from there after that. Her matching aggressor was one of the most believable and ‘physically interactive’ villains in the first haunt, along with Leatherface, the Creeper, Jason’s mother and the pig-faced brute. Though, we do need to also give special mentions to the Creeper for playing every aspect of his character quite well and we’ve never seen Jason’s mother portrayed better in all our years of reviewing.
Insanity offers a pretty random selection of actors. It seems their sole purpose in life is to make getting through the maze as difficult (and sometimes frustrating) as possible. It’s easy for a lot of groups to get bunched up in here too, so one-on-one conversations were scarce and limited to generic screams and taunting… except for the girl that was guarding the path to the exit.
The clowns in Karnival were very familiar with how to ‘interact’ with guests! This was another one where we were touched quite a bit and they were probably the most energetic bunch of our whole visit! If you wear a hat when you go through’ well’ let’s just say they like hats.
See Less

