When you first see the big top there are old-school carnival flyers advertising the showing of Big Bertha and big doesn’t begin to describe this animatronic. She is laying on or rather encompassing what appears to be a full-size mattress. Her giant stomach and chest move up and down to give the impression of breathing. She is disgusting and the paint job shows that. The detail of the pores and veins and coloration on her stretched-out skin is executed so well that it kinda makes me throw up a little in my mouth. Speaking of mouth, there is also audio…
Read More…When you first see the big top there are old-school carnival flyers advertising the showing of Big Bertha and big doesn’t begin to describe this animatronic. She is laying on or rather encompassing what appears to be a full-size mattress. Her giant stomach and chest move up and down to give the impression of breathing. She is disgusting and the paint job shows that. The detail of the pores and veins and coloration on her stretched-out skin is executed so well that it kinda makes me throw up a little in my mouth. Speaking of mouth, there is also audio that matches the level of gross that she is.
They use air puff scares throughout, but there is one that blew our hats off, literally. It was perfectly timed to get the best screams and sent our hands flailing in the air trying to catch our beanies. They had all varieties of terrain from soft to hard and even gravel on some of the outdoor sections. The floors slant and move so watch your ankles.
Strangling Bros also put in a green light fog room which is almost required if you have a haunt. But they did it much higher. The fog was eye-to-shoulder level which gave a more exposed feeling to the body left underneath. Good thing the circus is not hands-on because one grab under that layer of fog would have done us in.
The ‘people’ smell that hung warmly in the air of the enclosed trailer sections, whether intentional or natural on busy nights, put a crinkle on the nose for sure.
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