The cast of Evil on Erie consists entirely of volunteers. We’ve noticed over the years that volunteers tend to be more enthusiastic about their roles, and this bunch was consistent with that theory!
Depth of dialogue was a bit varied throughout, with some monsters jumping out with standard screams, ‘arrgghs,’ and ‘rawrs.’ In contrast, others interacted with us using scripts that more clearly defined the characters they were portraying. For example, one of the first fiends we encountered asked if the ‘Master’ had called to us, and another shortly after exclaimed that we were all going to burn in Hell (of course, we already knew that)! Not only did this help tie in the ‘portal to Hell’ theme, but it also served as a distraction for an upcoming scare. Bravo!
Our group noted some of the more memorable examples of these types of interactions: the clowns on the vortex tunnel, Jack the Ripper in his study, and some other ‘stranger’ characters that were expressing some ‘upside-down’ issues. In addition, some of the characters enhanced their scripts by changing their voices, which allowed for a bit more realism and believability.
Another interesting twist that we noticed was a medical scene where several patients (or experiments?) had taken over the room and left the doctor cowering to the side in fear. It wasn’t long before we empathized with him and figured out the fastest way to flee! Some actors reached for our feet and ankles at unsuspecting times, others climbed on various parts of their scenes or crawled around on the floor, and another haphazardly ran into us (being the uncoordinated zombie that she was). Again, this was a very energetic bunch that isn’t afraid to pop your personal space bubble; although, the touching aspect wasn’t so much that it was overbearing or the key focus of the scares we received.
Some final notes that we want to make revolve around the more ‘out of the box’ techniques some scarers use. Examples include a collection of credible casualties, a passable gender bender, and others that were so into their roles that they were already acting them out well before we’d entered their scenes.
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