While the midway screamed carnival and the fortress oozed Middle Ages/Game of Thrones style vibes, as soon as we entered the fortress it turned into a very gothic experience. Much of it felt like walking through a 1960s Vincent Price old dark house movie, where someone has to survive a night in the mansion to get a million dollars.
Most of the sets were exquisitely detailed. The ambiance started right away in the foyer, fully decorated with a fireplace, furniture, and artwork including William Blake’s The Great Red Dragon and the Woman Clothed in Sun — the inspiration for the killer in Red Dragon, the first Hannibal Lecter novel/movie(s)/third season of NBC’s Hannibal.
Things began on an impressive foot when a talking mirror addressed us. Then the lights went out…
We wandered through all sorts of cool, realistic-looking sets, like a dark church with a self-playing organ, a hanging tree, a benighted bedroom, a no-way-out library/study complete with a secret door in the bookshelf (possibly the coolest moment in the whole place), and a witch’s lair.
Rather than being an enclosed house-style haunt, it was more of a trail that wound through the courtyard-like interior, into and around various structures both covered and uncovered.
Moody lighting and (at times rather heavy) fog played a role in the effects story, in particular in the outside areas. The sound effects and soundtracks were well done. Music-wise, the church organ made a major impression.
The main effects star of the evening, though, was the collection of thoroughly detailed and lovingly curated sets.
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