Let me be frank here for a moment: the special effects at 1AM are, without hyperbole, INCREDIBLE. I always hold strongly to the dictum that perfection is, fundamentally unattainable, an acceptable dream-goal for one to continuously aspire toward, but realistically beyond any actualized fulfillment. One Hundred Acres Manor is getting close. This year’s experience was definitely within the top 3 or 4 haunted experiences that I have ever encountered in regards to special effects. I will spoil nothing herein, because the set designs, animatronics, and other various props must be seen to be properly appreciated. Top marks are earned byβ¦
Read Moreβ¦Let me be frank here for a moment: the special effects at 1AM are, without hyperbole, INCREDIBLE. I always hold strongly to the dictum that perfection is, fundamentally unattainable, an acceptable dream-goal for one to continuously aspire toward, but realistically beyond any actualized fulfillment. One Hundred Acres Manor is getting close. This year’s experience was definitely within the top 3 or 4 haunted experiences that I have ever encountered in regards to special effects. I will spoil nothing herein, because the set designs, animatronics, and other various props must be seen to be properly appreciated. Top marks are earned by the newest addition to the Manor, “Vodou” – one specific section of that theme is worth the price of admission alone. Seriously. Combining all of the things that 1AM does best, this voodoo-ship scene will make you simultaneously giddy, nauseous and terror-stricken. Even when 1AM goes more traditional with their effects, they transcend the standards – for example: many haunts have some form of the “electrocution man” animatronic, including 1AM, but the one that we saw in the manor was so much more realistic and over-the-top than any I had seen before. This “take the traditional and turn the knob to 11” ethic is applied throughout the scenes and designs of the attraction. The set designs are also very well-crafted – very intricate, unique, and appropriate for their themes. There is no shortage of blood. If you scraped together all of the hemoglobin from The Brine Slaughterhouse alone, you could give the Eiffel Tower a new, cheery, crimson sheen.
One more thing, and I don’t even know where to classify this because, really, 1AM are mostly in their own league on this. There are a lot of haunted houses in the world, with lots of beautiful and disgusting scenes, good actors, creative props, and the like. Your eyes, ears, and even your hands are routinely presented with an abundance of interesting sensations. But have you ever been to a haunted attraction that boasted nearly SIXTY DIFFERENT SMELLS? Most scenes at 1AM are gruesome and frightening of their own accord, but overlying all of this is the most unsettling variety of pungent, nose-assaulting odors that we had ever experienced – like a big box of odorous jelly beans (“Hurray, I got a skunk and a decomposing garbage!”). The addition of a specific scent (or scents) for each scene adds a layer to the immersion that works beautifully that you will not receive at other haunts. Additionally, 1AM will even use these smells to play mind games with you “!EEK, IT’S A CRAZED KILLER!… yet, I am strangely allured… what is happening?” Did your nose just subconsciously alert your brain to the sensation of “cotton candy” while simultaneously stomping onto the fight-or-flight response? That would be a devilish trick to play on an unsuspecting customer! No one would ever be so cruel… would they?
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