The hellions inside Fallsburg Haunted House were definitely the highlight of the Fearplex’s cast lineup. They stood out as the most committed crew, keeping us on our toes from the moment we stepped inside. These denizens of darkness knew how to jolt us, delivering startles with solid timing and bursts of intensity.
However, the prisoners were the real show-stealers. They were the most believable, constantly grabbing at us and trying to “butter us up” while also trying to “let us show you what we’re working with!” Their commitment and relentless interactions made their area one of the most immersive parts of this haunt! In addition, the pig-faced fellow and man in the shocking room also had more believable performances. Others mostly yelled or screamed at us.
The cast inside Jon Lynn Asylum certainly knew how to tap into the chaos and frenzy of an asylum. Screams echoed through the halls, but in this setting, it worked perfectly. The loud yelling and constant cries for help fit the theme much better here than in the other haunts at Fallsburg Fearplex.
Some patients simply yelled at us as we passed by, asking where we were going or what was wrong, while others gave us more memorable encounters. One doctor handing out “prescriptions” stole the show, accusing us of having chlamydia in a hilariously twisted moment. In the dayroom, the patients were convincingly out of control, while others kept up the asylum’s chaotic vibe by shouting phrases like “Save yourself!” as they randomly opened doors. The cook in the cafeteria also stood out. She got really upset when we turned down her real food and came bolting down the hall yelling at us, ending her rant in a very loud, “Starve!” This lady rocked!
The cast inside FreakFair was noticeably sparse, leaving certain areas feeling rather empty. With fewer actors than the other attractions, it often felt like we were walking through stretches of dead space without much interaction. And sometimes, even when a character was in the scene, they just stared at us. The ticket taker was irate, while a piano-playing clown made us clap for his performance. Another clown climbed around on a cage and had some good banter with us, promising to be “nice” if we played along. His energy was one of the highlights of the attraction.
As we tip-toed our way through the moonshiners’ territory, similar characters suddenly sprung out at us from hidden panels and doors. Too often, the actors would scream at the top of their lungs, which quickly became more annoying than scary. Leave the screaming crazies to those in the asylum. That said, one actor stood out with a more engaging approach, bursting out of a wall and yelling “toe soup” – a bizarre but far more effective scare than the usual scream. The only character that really leaned into the hillbilly theme was the one beating a metal bar against a trough, which felt more in line with the Appalachian vibe.
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