Ghoul Brothers House of Horrors Review (2022)

These rabid actors really brought it hard, which is what we’ve always experienced here. We found most of them in super high-energy gear.

The acting crew was very interactive. They got in our face, screamed at us, chased us, threatened us, and despite the quick-hit tactics employed here, they efficiently delivered (often unusual) snippets of dialogue. That made the few who just stared at us all the more creepy. As for the most memorable players…

A disturbingly cheerful actress stuffing her face with the nasty contents of a tin can advertised the virtues of ‘bio-foods’ and reminded us, ‘we’re all chum in the end!’ A squalid Santa stained the spirit of Christmastime. The huge and intimidating pig-faced guy had us skedaddling away from him. The doctor asked for face transplant volunteers. The skull bro chased us around outside with a hammer.

The whole ensemble shined, though. We’d be hard-pressed to remember anyone who didn’t do their part effectively. Great job, Ghoul Brothers cast!

So… yeah, let’s address the strip mall thing. The mall haunt that rises above its humble surroundings seems to be the rule rather than the exception now.

And such is the case here. For better or worse, it’s located in a very urban site behind a grocery store and close to a McDonald’s. Not too much to look at from the outside. But when we hit the front door, that all changed. Fog, lighting, props, and characters in the corridor leading up to the attraction’s entrance set the mood splendidly. It was actually kind of hard to tell where the ticketing and queue area ended and the thing itself started.

Immersion on the inside was near total and owing to several factors, from the insanely detailed 360-degree sets to the committed actors. Thematically unconnected sets followed one after another in a feverish riot, but we somehow barely noticed the transitions – resulting from Ghoul Brothers’ artistry of making segue ways seamless and more than a little bit from all the wacky nonstop action happening to us.

Upon exiting, we were back outside looking at the parking lot. But there were characters out there, too, running around harassing and interacting with people. And there was a merch table as well.

Absolutely dynamite! The owner is a former Hollywood F/X guy and it shows in every inch of this place. Intricate sets were insanely detailed with multiple layers creating very lived-in-looking scenery.

Best sets included the cabinet of curiosities style room with sarcophagi, the eerie attic, a rustic barn or maybe it was a country shed, the gorgeous Victorian drawing room/parlor, some of the house designs toward the end that touched on the otherworldly horror of Lovecraftian beasties, and the blessedly brief circus area was more impactful for being concise.

It was great to see novel uses of the laser swamp and squeeze tunnels, especially when they were combined in one room and then topped off with an out-of-nowhere cold-blooded actormatronic application.

In fact, all the animatronics and actormatronics packed a punch. They all went off or were operated at the right time and many of them were downright horrific. Some of the larger ones towered over our heads. If you’re into these things, Ghoul Brothers has quite a selection for you!

We found the lighting and sound to be uniformly excellent. The soundtrack and sound effects complimented the action at every turn.

Can you say thrill ride? Ghoul Brothers extracted screams aplenty from our group of four. The whole place was buzzing with visceral excitement. For a no-touch haunt, they really had us reeling.

Blitzkrieg attacks came from every angle and direction, from actors, animatronics, and actormatronics, and set up with or paid off by sound and lighting effects. With so much movement and action happening, even the quiet/staring actors had us cringing, as we wondered when they would spring into action!

Tight, twisty rooms and halls generated claustrophobic panic, especially with the actors invading our space seemingly every second. The ingenious internal layout allowed actors to clobber us with rapid fire double tap and triple dip attacks, getting us coming and going within each room. In one spot, parallel drop windows on either side of us were deployed with crack timing. Our heads were spinning soon after entering.

They took every opportunity to pile on and gang-attack us. In the doctor’s lab, we were surrounded by four monsters threatening us. The area in and around the attic was killer, pelting us in quick succession with yucky dolls, a disturbing exorcist scene, and a special treat for the person leading the group in front – here, a backlit creep rushed forward full steam up the long hallway dragging a noisemaker against the wall. Yikes!

We got victimized by masterful use of sounds and other distractions galore, sly fakeouts, and clever gags where a seemingly boxed-in monster suddenly was rampaging all over us. Yeah we know, duh of course that’s going to happen, but we were hoping for a reprieve in the heat of the moment…

We survived Ghoul Brothers in 18 minutes, but a trip through always seems longer. The time inside seems to never end when you’re fleeing for your life or being cornered by multiple monsters or cowering in a corner.

There’s a lyric in Gordon Lightfoot’s The Wreck of the Edmund Fitgerald that goes like this: “Does anyone know where the love of God goes when the waves turn the minutes to hours?” Well in Ghoul Brothers, there are waves of creatures hounding your every step and they make seconds seem like minutes! We always need to take a few deep breaths and decompress a bit after making it through the exit.

Calculating against the $22 general admission, the MPD ratio (minutes of in-haunt entertainment per dollar) ended up at 0.82. Typically we want to see at least a 1-to-1 ratio, but: a) That number is relative to the quality of the entertainment; top-flight haunting gets a little more slack. b) Prices for said haunts are getting higher, with really good attractions charging less than $25 a head becoming harder to find. Ghoul Brothers comes off well in the light of both of these arguments.

Also, they’ve changed around a lot of the rooms and content since being closed for the season in 2020. They have somehow squeezed out another 4 minutes of the walkthrough since our last visit – a surprising and welcome addition given their limited footprint – and the price went up only $2 in that time. So we figure that extra time, at least, as coming out to a 2.0 MPD. Another plus for the consumer.

So, we’d say we got some very good value for the ticket price. The ‘other’ entertainment that figures into this score was not so high, as there is not a whole lot to do other than chat with the actors/staff and visit the merch table. But with the extremely high quality of the haunt experience itself, we’ll take that tradeoff.

Simply put, we urge everyone to go to Ghoul Brothers and enjoy a prime haunt experience.