Warehouse 31 Review (2026)

Warehouse 31 offers guests more than just a haunted walkthrough, with a sizable midway and indoor waiting area featuring plenty of activities and amenities to enjoy throughout the evening. The attraction is easy to find, and guests will find ample free parking in the main lot as well as several nearby lots. Entry to the property is through a large gate that opens into a midway extending around two sides of the building, with additional space indoors. The outdoor area features the ticket booth, several food trucks, fire pits with plenty of seating, and a large screen where guests can watch movies and keep track of which groups are being called for each attraction.

Warehouse 31 offers two haunted experiences, the 3D Experience and Rigamortis, along with an escape room. A timed ticketing system divides guests into groups, with announcements and screens throughout the midway letting everyone know when it’s time to head to the appropriate queue. Porta-potties are also available in a dedicated area off to one side.

In the indoor area, guests will find a snack bar serving popcorn and a variety of beverages, including alcoholic options, as well as a merchandise stand offering shirts and other souvenirs. This is also where guests can purchase group photos or visit an area where they can create their own teddy bears. One corner of the indoor space features a stage for Scaraoke, giving guests the opportunity to take the microphone and show off their singing skills. Just be aware that the speakers are positioned both indoors and outdoors, so your performance may reach a larger audience than you expect!

VIP tickets include several additional perks, such as expedited access to the queues, reserved seating near the Scaraoke stage, and coupons for use at the merchandise and snack stands. We did notice a difference in how the fast-pass benefit worked between the two attractions: at the 3D Experience, the line brought us directly to the entrance, while at Rigamortis, it only advanced us to the ticket-checking point, where we joined the regular queue. Extending the Rigamortis fast-pass access closer to the attraction entrance would make this perk more consistent with what we’ve experienced at other haunts. Overall, Warehouse 31 provides an extensive selection of entertainment and amenities, giving guests plenty to enjoy while waiting for their scheduled walkthroughs.

The immersion at Warehouse 31 begins as soon as guests walk through the front gates, where an expansive midway wraps around two sides of the building. There is plenty of room to move around, along with ample seating near firepits where guests can relax and watch movies while waiting for their group to be called. The first attraction, simply called the 3D Experience, immediately transports guests into a colorful clown world. Visitors are given 3D glasses at the entrance, which, when combined with blacklights, bring the artwork covering the walls and floors to life. The attraction features a mix of hallways and rooms, with clown actors making good use of the scenery to deliver scares from multiple directions, including overhead. While we felt that a few additional actors would have helped fill out some of the scenes, the experience kept us off balance…almost literally…with several changes in elevation, squishy flooring, and a vortex tunnel. Some performers also appeared to be covering multiple areas, using strategically placed pop-outs to surprise us more than once. One element that would have helped strengthen the overall atmosphere was a dedicated soundtrack. The actors made plenty of noise, but even some traditional clown music would have added another layer of immersion while helping mask sounds from the adjacent attraction and midway. A few overhead scenic elements could also help make the environments feel more complete.

The main attraction, Rigamortis, eases guests into the experience with a themed queue area before they enter the haunt itself. Inside, an introductory character provides some background on the creatures waiting ahead and explains the basic rules, although our first encounter with one of those creatures was a little less welcoming than expected, as we were immediately told to get out! Rigamortis takes guests through several distinct themed environments, offering a variety of settings and scenes to explore throughout the walkthrough. The sets were nicely detailed overall, although some areas could have benefited from stronger lighting to make those details easier to appreciate. Many scenes incorporated overhead elements that helped create a more enclosed feeling, while others used hanging vines and spider webs to extend the scenery above the walkways. The actors generally made good use of their surroundings, but, as with the 3D Experience, several seemed to be covering multiple sections, and a few visibly empty boo holes suggested that adding more performers could help round out the experience. One of the more memorable sections was the asylum, where we moved through a series of rooms that felt appropriate to the setting, beginning with a waiting room and ending in a padded room. Passing through multiple doors along the way added a nice sense of realism to the sequence. Another memorable moment came near the end, when a chainsaw-wielding character chased us across a room. Fortunately, someone had thoughtfully attached a mattress to the wall near the turn into the next room just in case we needed a little extra padding while making our escape!

Warehouse 31 utilized a variety of special effects throughout both attractions, with each making use of different techniques to support its environments. Lighting was well done in both haunts, although each took a different approach. The 3D Experience relied primarily on blacklights to bring its colorful artwork to life, while Rigamortis incorporated a mix of ambient lighting and well-placed accent lights to highlight details within its scenes. We also encountered several squishy-floor sections that added an entertaining physical element, making it a little harder to keep our balance while trying to focus on what might be lurking ahead. Fog was absent from the 3D Experience, but Rigamortis made effective use of it in several scenes to help build atmosphere. Audio was another area where the attractions took different approaches. Rigamortis featured a number of ambient soundscapes and scene-specific effects that worked well within their surroundings. The 3D Experience, meanwhile, kept the focus on its colorful visuals and energetic actors, though a little background audio could have added another layer to the atmosphere. Rigamortis also incorporated several scents throughout the walkthrough, adding another sensory layer to the experience…some scents being more pleasant than others! Overall, both attractions made good use of their available effects, with Rigamortis offering a wider variety of sensory elements and the 3D Experience relying on its distinctive blacklight artwork.

The characters throughout both attractions at Warehouse 31 brought plenty of energy to their performances, although we felt that each could have benefited from a few additional actors to help fill out the scenes. Many of the performers in the 3D Experience were especially lively, with some making an effort to interact with our group while others relied more on loud screams to deliver their scares. The costuming in this attraction was a particular highlight, with many of the clowns wearing outfits that felt unique to their individual characters rather than the more familiar clown costumes we’ve seen at other haunts. We also appreciated the makeup work and the fact that the performers avoided generic masks, giving the characters a more distinctive appearance. Rigamortis featured a similarly varied collection of costumes, with most outfits fitting well into their respective scenes. The masks and makeup were generally well done, although we did notice several performers wearing obvious sneakers or everyday eyeglasses that occasionally took away from their overall looks. Many of the characters here also relied on yelling or grunting rather than more developed interactions, and a few visible water bottles and chairs in the scenes were minor distractions. One standout was the doctor in the asylum, who was particularly interactive and stayed with our group through several rooms, turning the sequence into a fun, extended encounter. Overall, both attractions had some energetic performers and memorable costuming, with a little more cast coverage and attention to a few details helping make the character work even stronger.

Warehouse 31 offers plenty of opportunities for scares throughout both attractions, with several actors making creative use of hiding spots and pop-outs to surprise groups more than once. Some of these hiding places were easy for us to spot, however, and a few appeared to go unused during our walkthrough. A handful of performers did a particularly good job of trying to engage everyone in our group, while several others relied more on a quick grunt or growl before moving along. One of the more memorable scares came when an actor appeared to retreat after a pop-out, only to circle around behind one of us and blow on the back of their neck providing a fun and unexpected follow-up! Both attractions were enjoyable to experience, and each provided a smooth transition back into the midway area. However, neither featured a particularly memorable finale, which felt like an opportunity to deliver one last standout scare before sending guests on their way. Overall, Warehouse 31 offers some creative scare opportunities and entertaining surprises, though a little more consistency in actor engagement and a stronger closing encounter could make both experiences even more impactful.