We found that the residents of Xtreme Scream Park had a great deal of variability in their performances. Some excellent acting was on display with the roaming actors, including a creepy duo of masked monochrome girls on a bicycle, and a giant stilt pumpkin man puppeteering another actor into action, spooking the walkways between haunts.
Within the haunts themselves, some more physical than verbal interactions. This was the case for “Spores”, where characters did interact with us, but more to force us in certain directions. Several times in this maze, there were points where we became lost in the labyrinth of tunnels occupied by the spore-possessed creatures. Using their size and formidability, the actors subtly indicated which way we should progress, which was really helpful.
Sometimes, actors embodied famous characters. Hannibal, being imprisoned in “Ash Hell Penitentiary”, was very keen to smell one of our reviewers and perhaps collect a body part to add to his collection, which already displayed his past “conquests”. At other moments, actors did a terrific job of remaining entirely still, only to spring into horrific motion on us passing. The scarecrows looking to harvest us in “The Village” were particularly effective in this regard.
One of our favourite cast interactions was in “Blutlust”. Starting in a rather unhappy Berlin kebab shop, the shop owner added more than just relish to our meal, smashing up a disgusting number of ingredients on the counter, clearly enjoying every moment of our horror. Meanwhile, the vampires deeper within drew us apart, made us dance to their blood-soaked beats, and grabbed our feet. Every one of the actors here loved their roles, and made us believe we were going to be their next heady drink! Interactions such as this continued in “Circus vs. Circused”. One of us was asked to start a car by pulling a starter rope, coaxing the beast into action. Others asked questions of us, like whether we would like to play with their rubber chicken, only to foghorn us instead!
Some of the acting was slightly weaker in “The Witches of Hard Luck Wood”, but we wonder whether this might be because many of the cast were not particularly visible in the gloom. Their storytelling was clear, but delivery felt a little forced.
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