Since our first visit in 2020, we’ve consistently been blown away by the cast at The Thirteenth Hour. The villains they’ve created are remarkably unique – far removed from the typical characters you might encounter at an average haunted house. Each one is crafted with clear intent: to tell a story and pull guests deeper into the mysterious world the creators have imagined. The haunt features several memorable mascots, and depending on who you ask, you’re likely to find a fan favorite among nearly all of them.
Every villain scattered throughout the attraction delivers impactful, story-driven dialogue that reinforces the lore of their respective realms. While much of this lore is available on the haunt’s website – and we highly recommend guests read up beforehand – the cast does an exceptional job of showing rather than telling, fully immersing visitors into their twisted timelines.
We especially appreciate that most of the main characters are equipped with microphones, allowing them to project their voices clearly and maintain the illusion of immense, supernatural power. This attention to detail enhances the storytelling and keeps guests engaged without missing a word. Actor placement this year was also spot-on; it felt as though every performer was exactly where they belonged. While we did notice a few brief “boo scares,” they were fittingly used in the Orphanage, where the actors portrayed children playing an energetic game of hide-and-seek.
Returning fans may notice the absence of a few well-known faces, such as the Spider Queen, from scenes featured in previous years. However, their replacements feel intentional and impactful, building upon an already rich narrative. The Spider Queen remains part of the story through Rift 13, which explores her origin, but spotting her now requires a sharper eye and closer attention to detail.
Standout performances from the night included Lady Cartocker (of course), The Weeping Widow, The Master, and Doctor Chronos, who appears in multiple haunting forms throughout the experience.
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